Galerie Daniel Templon, Paris
June 6 – July 26, 2013
30 rue Beaubourg and Impasse Beaubourg 75003 Paris
+33 1 42 72 14 10

This exhibition see American photographer David LaChapelle present two powerful series in France for the first time: Still Life, and the innovative Last Supper. World-renowned for his highly colorful fashion photography and flamboyantly baroque portraits of celebrities, David LaChapelle surprises us here with a new approach that bears witness to his interest in the underside of the American dream and the history of art.

David LaChapelle is an icon hunter obsessed by the question of notoriety, and when vandals had attacked the Dublin Wax Museum he traveled there to make a record of the broken lookalikes, which led him to investigate many wax museums in the United States (California and Nevada).

The high point in this series is a new photographic fresco reinterpreting Leonardo da Vinci’s Last Supper. In LaChapelle’s interpretation, figureless floating heads and expressive, yet completely detached, hands shown inside cardboard boxes compositionally represent the original masterpiece in an accurate yet startling contemporary way. Ten years after LaChapelle’s iconic Homeboy Last Supper, merging street art and religion, the artist continues to reflect on the resurgence of the spiritual in our material dominated society.

The biblical wax figures were spared disfiguring by the vandals. The wax figures in the Still Life series were not as fortunate. These photographs depict distorted wax figures of celebrities, from Leonardo DiCaprio to John F. Kennedy, Madonna, and Lady Diana. The hyper realistic style of the images confers a feeling of authenticity on these damaged imitations - these forgotten facsimiles - made all the more disturbing because many of these real life people (celebrities) had already been photographed by David LaChapelle.